Scott M. Sandridge

A Work in Progress

SpecMusicMuse—A Chimerical World Round Table Interview, Part 1

Today we have part 1 of a special Round Table style interview with the authors of both A Chimerical World anthologies.  Sitting with me tonight are Angeline Trevena, Chantal Boudreau, David Turnbull, and Nicholas Paschall.

Introductions

Angeline Trevena was born and bred in a rural corner of South West England where she still lives above a milkshake shop. She is a fantasy and horror writer, poet and journalist. Some years ago she worked at an antique auction house and religiously checked every wardrobe that came in to see if Narnia was in the back of it. She’s still not given up looking for it.

Find out more at www.angelinetrevena.co.uk

Chantal Boudreau – I’m an accountant/author/illustrator who lives in Nova Scotia, Canada with my husband, Dale and two children, Gwyneth and Etienne. An affiliate member of the Horror Writers Association, I write and illustrate horror, dark fantasy and fantasy and I have had several of my stories published in a variety of horror anthologies and magazines.  Fervor, my debut dystopian novel, was released in March of 2011 by May December Publications, followed by Elevation, Transcendence and Providence.  Magic University, the first in my fantasy series, Masters & Renegades, made its appearance in September 2011 followed by Casualties of War and Prisoners of Fate.  Learn more at my website: http://chantellyb.wordpress.com

I’m David Turnbull, a UK based writer. I’m a member of the Clockhouse London Group of genre writers who collectively have loads of published sci fi, fantasy and horror credits to their name as well as a few collaborative pieces. Recent anthologies featuring my own short fiction include ‘Breaking the Rules’ (Boo Books), Vignettes from the End of the World (Apokrupha) and Black Apples (Belladonna Publications). My short story ‘Aspects of Aries’ which appeared in ‘Astrologica’ (The Alchemy Press) has been selected to appear in Salt Publications’ Best British Fantasy anthology due for release later this year. You can find me at http://www.tumsh.co.uk/

Nicholas Paschall, horror and fantasy author. I’m a recurring columnist for Dark Eclipse Magazine and have been published in eight anthologies. I also maintain my own blog where I post stories freshly written, called the Nickronomicon. I have an upcoming story in Demonic Visions Four coming out early June that I would suggest anyone who is into the Unseelie get, as it involves them to a great degree.

 

Tell us a little about your story

Angeline: My story, ‘I’ll Watch Over You’, is a classic changeling story. It follows new mother, Ellen, in a downward spiral of superstition and paranoia, as she fights against a fae intent on stealing her baby. While Ellen’s husband believes her hormones are simply going haywire, her elderly neighbour fills her head with stories and her home with talismans. Becoming increasingly frightened and isolated, Ellen finds herself standing between her baby and the unknown world of the fae.

Chantal: I was researching Japanese mythology for a novel idea I had in mind and the research inspired my story.  I also had my thoughts focused on my friend Barb who was dying from pancreatic cancer and I think feelings of sadness and a sense of devotion to friends and family naturally transposed themselves into the story as a result.  Barb was the type of person always sacrificing for others and I think I brought some of her spirit to Sanae.

David: My story is a kind of ‘be careful what you wish for’ allegory. The farmer lusts after the thing that the boy has access to and is willing to commit murder to obtain it. He doesn’t realize the terrible mistake he has made till he gets what he desires.

The post revolutionary backdrop of the story has been one that I have used in several stories now, placing well-known fairy tale or nursery rhyme characters into a situation where society has undergone profound changes. In this case the source material was the nursery rhyme Little Boy Blue come blow your Horn. I wondered what else the boy might be calling with his horn other than sheep or cows.

The title The Wunderhorn comes from a 19th Century collection of German Folk songs Das Knaben Wunderhorn (The Boy’s Magical Horn) which was said to have been part of the inspiration behind the Grimm brother’s collection of fairy tales.

Nicholas: It’s a story about loss, and the beauty that can be found in all things, even misery. A fey of unknown species gathers the souls of singers and instrumentalists so that they can forever play for his eternal amusement. He hosts balls for his kind where his favorite specter sings a song of his native homeland. It is really a tale about how even in the most miserable circumstances, beauty can come forth. And, of course, that beauty is in the eye of the beholder.

 

What’s your favorite type of faerie?

Angeline: I grew up surrounding myself with the friendly fairies of childhood: flower fairies, tooth fairies, friendly little creatures that grant wishes and sprinkle fairy dust. But through my teens, I discovered there was a different side to the fae. Overall, I like to think fairies are more mischievous than downright evil.

Nicholas: Personifications of nature that have been corrupted are perhaps my favorite, like a dryad who has had her tree poisoned by human waste. The idea of flawed beauty in a creature that the idea of flaws doesn’t even exist has always brought a smile to my face.

David: The Brownie. I like the idea of a creature that makes its home under your doorstep and helps with household chores while your asleep but could cause all sorts of chaos and mayhem if you get on the wrong side of it. Anyone who likes gothic horror should read ‘The Brownie of the Black Haggs’ by James Hogg.

Chantal: I’m a seelie fan.  I especially like helpful fairies with an air of mischief and a sense of humour.

 

Is music a part of your personal writing process, and if so what kind(s) of music do you listen to when your write?

Angeline: I often play music while I write, and find that it has a significant impact on my writing. I often choose specific albums based on the story I am hoping to write. One of my go-to bands is Counting Crows, and they have been the soundtrack to a lot of my writing sessions over the years.

I also use film soundtracks because they’re so full of atmosphere and emotion. My favourites are The Lion, the Witch and the Wardrobe, and Edward Scissorhands.

Chantal: Very much so – I try to match the music to the mood of the story: alternative rock, easy listening, pop, celtic, tribal…whatever suits the story.

David: There’s nothing like a good murder ballad to set the mood for a piece of dark writing. Particular favorites include the Everly Brothers’ rendition of ‘Down in the Willow Garden’ and the Nick Cave / PJ Harvey duet ‘Henry Lee’. Also, in keeping with my Scottish heritage, Euan MacColl’s ‘The Bonnie Banks of Airdie’ where the Duke of Fifes’ three daughters are dispatched one by one by a robber brandishing a wee penknife.

Nicholas: I listen to a variety of songs when I write, from dubstep versions of horror songs to country music, to J-pop. The music really influences the writing. Sometimes I’ll just listen to rain fall and write from what bubbles forth from my subconscious.

 

Has a song ever inspired a story idea for you?

Nicholas: Of course! I think every author got the starting point of their story from either a song or seeing something. For me, Maestro came from listening to Jace Everrett’s “I wanna do Bad Things to you,” a song that is by far one of my favorites in the new age variety we’ve been seeing as of late.

Chantal: I wouldn’t say any song has inspired a particular story, but it has inspired some of my content while writing.  Songs have also inspired some of my story and novel titles.

David: I have a story in the forthcoming ‘Girl at the End of the World’ anthology (Fox Spirit) which features a girl with corkscrew hair, inspired by the line in the T Rex 70’s hit Telegram Sam – I ‘ain’t no where with my corkscrew hair. I’ve also managed to get a Metal Guru into the plot as well.

 

Last but not least: who’d win a fight between Princess Toadstool and Zelda?

Chantal: My vote’s for Zelda.

Angeline: I can’t imagine these two ladies fighting one another. They’d far more likely just to go out for coffee and cake together. And why not?

David: I’m declaring Swiss style neutrality on this one.

Nicolas: That’s a tough one. Both get captured far too often to show any real fighting skills, though in recent years they’ve been added to brawler games to showcase their fighting skills, or lack thereof. I think I’d have to give it to Zelda, as she comes from a kingdom of warriors that are human, not anthropomorphic mushrooms. Hard to practice against a race of two foot tall fungus men and learn how to fight effectively.

With Zelda she would, as a princess, at least have the chance to learn archery. And with her constant kidnappings, she can probably defend herself better than the only human in all of Mushroom Kingdom.

 

Where to find the books:

Amazon Links for Tales of the Seelie Court  32892-final_talesoftheunseeliecourt_650
Print Version http://www.amazon.com/Chimerical-World-Tales-Seelie-Court/dp/1937929477
Kindle Version http://www.amazon.com/Chimerical-World-Tales-Seelie-Court-ebook/dp/B00IAHTMAO  

Amazon Links for Tales of the Unseelie Court  
Print Version http://www.amazon.com/Chimerical-World-Tales-Unseelie-Court/dp/1937929493
Kindle Version http://www.amazon.com/Chimerical-World-Tales-Unseelie-Court-ebook/dp/B00IAHTVSC

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May 24, 2014 - Posted by | SpecMusicMuse | , , , , , , , ,

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